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Another and profounder characteristic of Plato, as distinguished from Aristotle, is his thorough-going opposition of reality to appearance; his distrust of sensuous perception, imagination, and opinion; his continual appeal to a hidden world of absolute truth and justice. We find this profounder principle also grasped and applied to poetical purposes in our Elizabethan literature, not only by Spenser, but by a still greater master��Shakespeare. It is by no means unlikely that Shakespeare may have looked into a translation of the Dialogues; at any rate, the intellectual atmosphere he breathed was so saturated with their spirit that he could easily absorb enough of it to inspire him with the theory of existence which alone gives consistency to his dramatic work from first to last. For the essence of his comedies is that they represent the ordinary world of sensible experience as a scene of bewilderment and delusion, where there is nothing fixed, nothing satisfying, nothing true; as something which, because of its very unreality, is best represented by the drama,371 but a drama that is not without mysterious intimations of a reality behind the veil. In them we have the "For sich is the Kingdom of Heaven," interjected Shorty, imitating the Chaplain's tone. "The devil invented abatis, just after he invented hell, and as an improvement on it, and just before he invented secession," Shorty judged hotly. "When we git through them abatis there I'm goin' to kill everything I find, just to learn 'em to stop sich heathenish work. It's sneakin' murder, not war." "It is good they do not," Cadnan said stubbornly. "A slave is a big thing, and Cadnan is only a little thing. It is better to be big than little." Time had run out. Johnny Dodd's enemies wanted him dead, and so he had to kill them (and so avoid killing himself, and so avoid recognizing how much he himself wanted to be dead). But the balance wasn't complete. There was still the guilt, still the terrible guilt that made it right for the Confederation to kill him. He lifted her bodily and laid her on the bed. But she was still half insane�� "One's in prison, and t'other I turned away." "I've changed my mind." "What is your pleasure with me, maiden?" asked the baroness, in a condescending tone. "I will go. Can we measure the mercy of the Lord?" "You did; and do you not recognize me, as he who gave the alarm when the fellows had peeped above the wall at the cross-roads, and whose hat was pierced by an arrow as he stood beneath the tree that overshadowed the grave at Hailes?" "'Tis false!" returned Richard, angrily��"who are they?��confess! confess!" HoME �ڹѸ�ƨ ENTER NUMBET 0017
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