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Radisson Hotel Group to add four hotels in France

By Rob Gill / 2 September 2025 / Contact Reporter

Radisson Hotel Group to add four hotels in France — Banke Opera Paris will open in mid-2026 as a Radisson Collection hotel Credit: Radisson Hotel Group

Radisson Hotel Group is strengthening its presence in France with the signing of four new properties to its growing portfolio.

The four properties will take Radisson��s total footprint in France up to 34 hotels, including those under development.

The latest additions are Banke Opera Paris; Radisson Blu Hotel, Paris Roissy Charles De Gaulle Airport; Radisson Resort Cannes and H?tel Beaux Arts Bourges.

��France is a strategic growth market for Radisson Hotel Group, where we aim to significantly expand our footprint,�� said?Elie Younes, Radisson��s global chief development officer and executive vice president.

��From historic conversions in cultural landmarks to contemporary icons in high-traffic gateways, our expansion is supported by long-term and strategic partnerships.��

Banke Opera Paris will open in Q3 of 2026 as a Radisson Collection hotel following a major renovation of the 90-room property, which was originally converted into a hotel in 2009.

Radisson Blu Hotel, Paris Roissy is due to debut at the end of this year. The 305-room hotel located in front of Terminal 3 at CDG Airport is also being upgraded in 2026.

Outside the French capital, the 100-room Radisson Resort Cannes will undergo a renovation before opening under the Radisson banner next year.

Finally, H?tel Beaux Arts Bourges in central France will debut in 2027 as a member of the Radisson Individuals collection brand offering 52 rooms in a city centre location.

Radisson��s previously announced new properties in France include Hotel & Spa Amoria La Baule on the west coast, which will open in late 2025 as part of Radisson Individuals.

Other newcomers will be Maison Rivoli Paris, which will open in winter 2027 as a Radisson Collection hotel, while Radisson Blu Hotel, Triangle Paris is set to be unveiled in the first half of 2027.?

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Another and profounder characteristic of Plato, as distinguished from Aristotle, is his thorough-going opposition of reality to appearance; his distrust of sensuous perception, imagination, and opinion; his continual appeal to a hidden world of absolute truth and justice. We find this profounder principle also grasped and applied to poetical purposes in our Elizabethan literature, not only by Spenser, but by a still greater master��Shakespeare. It is by no means unlikely that Shakespeare may have looked into a translation of the Dialogues; at any rate, the intellectual atmosphere he breathed was so saturated with their spirit that he could easily absorb enough of it to inspire him with the theory of existence which alone gives consistency to his dramatic work from first to last. For the essence of his comedies is that they represent the ordinary world of sensible experience as a scene of bewilderment and delusion, where there is nothing fixed, nothing satisfying, nothing true; as something which, because of its very unreality, is best represented by the drama,371 but a drama that is not without mysterious intimations of a reality behind the veil. In them we have the "For sich is the Kingdom of Heaven," interjected Shorty, imitating the Chaplain's tone. "The devil invented abatis, just after he invented hell, and as an improvement on it, and just before he invented secession," Shorty judged hotly. "When we git through them abatis there I'm goin' to kill everything I find, just to learn 'em to stop sich heathenish work. It's sneakin' murder, not war." "It is good they do not," Cadnan said stubbornly. "A slave is a big thing, and Cadnan is only a little thing. It is better to be big than little." Time had run out. Johnny Dodd's enemies wanted him dead, and so he had to kill them (and so avoid killing himself, and so avoid recognizing how much he himself wanted to be dead). But the balance wasn't complete. There was still the guilt, still the terrible guilt that made it right for the Confederation to kill him. He lifted her bodily and laid her on the bed. But she was still half insane�� "One's in prison, and t'other I turned away." "I've changed my mind." "What is your pleasure with me, maiden?" asked the baroness, in a condescending tone. "I will go. Can we measure the mercy of the Lord?" "You did; and do you not recognize me, as he who gave the alarm when the fellows had peeped above the wall at the cross-roads, and whose hat was pierced by an arrow as he stood beneath the tree that overshadowed the grave at Hailes?" "'Tis false!" returned Richard, angrily��"who are they?��confess! confess!" HoME �ڹѸ�ƨ ENTER NUMBET 0017
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